Director Gurinder Chadha has unveiled her latest cinematic reinvention, transforming Charles Dickens’ “A Christmas Carol” into a vibrant musical titled “Christmas Karma.” The film features Kunal Nayyar as Mr. Sood, a contemporary interpretation of Scrooge, with Eva Longoria, Billy Porter, and Boy George portraying the spectral guides who lead him toward redemption.
The filmmaker found inspiration for her modern miser in contemporary political landscapes, observing how some individuals from minority backgrounds adopt hardline positions in pursuit of acceptance. “My Scrooge believes wealth will grant him status and protection,” Chadha explains, drawing parallels to real-world dynamics while maintaining the story’s timeless message about human connection.
Chadha’s approach to storytelling reflects her own cross-cultural background. Born in Kenya to Indian Sikh parents before settling in Britain during the 1960s, her films consistently explore the complex layers of identity within diaspora communities. “My storytelling doesn’t begin in modern London,” she notes, “but hundreds of years ago with the historical connections between Britain and India.”
The production brings fresh perspectives to the classic tale, featuring a gay African American Ghost of Christmas Present in emerald finery and musical numbers that reimagine traditional scenes. Chadha emphasizes the careful balance required in her protagonist’s transformation: “You can’t have Sood soften too soon—one misplaced smile can ruin the journey.”
Despite her commercial success and global recognition—her films have screened in every country worldwide—Chadha believes the British film industry continues to underestimate work centered on diverse perspectives. “People want me to make bleeding-heart films about suffering,” she observes, “but I choose to focus on joy and celebration.”
The director’s influence extends beyond film sets. She recalls advocating successfully for increased film tax credits during a Downing Street meeting, where her passionate appeal shifted the discussion. Her commitment to inclusive storytelling remains undimmed, even as she acknowledges ongoing industry challenges around representation.
Looking ahead, Chadha confirms development of a sequel to her breakthrough football film, citing the rising prominence of women’s soccer as inspiration. She’s consulting with prominent football figures to ensure authenticity, determined that any follow-up must have meaningful substance. “It’s so loved I don’t want to do any old shit,” she states. “Unless I have something to say, I won’t say it.”
“Christmas Karma” arrives in cinemas as both festive entertainment and thoughtful commentary, continuing Chadha’s tradition of reimagining classic stories through diverse lenses while maintaining their universal heart.
